Notre Dame Cathedral fire: Historian explains why the Paris icon means so much to the world
|globalnews.ca 15 Apr 2019 at 14:11|
Around the world, eyes are fixed to videos of the flames engulfing the spire and, slowly, toppling it. The cathedral is centuries old and hosts some 12 million visitors every year. That’s because it isn’t just a religious symbol, nor is it even just a French symbol, says Paul Cohen, an associate professor of history at the University of Toronto, who is half French.
To talk about the cathedral from a historian’s perspective is almost too difficult, Cohen says. “My historian hat is scrambling for distance and critical perspective,” he says, but the Parisian in him is winning out.
“The sense of loss among Parisians and French people is enormous,” he said, “but we should also emphasize: I don’t think this necessarily means French people are feeling this as a religious loss.”
That’s part of the magic of Notre Dame, Cohen says. What was built as a Catholic cathedral has evolved into so much more, although it is still an active church.
“We can find a whole host of ways in which its been mapped into French culture,” he says.
Think of Victor Hugo’s 1831 novel, Notre Dame de Paris, Think of the church’s spire in film. Think even of Quasimodo, ringing the bell in Disney’s The Hunchback of Notre Dame.
It’s even more than that, says Adam Cohen, an art history professor at the University of Toronto. Supporting the church was a way to help “shape the idea of a French kingdom” in the late 13th and early 14th centuries. So even though France has been a democratic secular state since the French Revolution, Cohen says, “the reason people are so distressed is because it’s a cultural monument that is really tied up with the development of the idea of a French nation.”
It’s also the building itself. Old Gothic structures were “build to be sites of mass religious social experience,” Cohen says, in a ways that’s easily translated to non-religious mass social experiences now.
“[Notre Dame] was designed to inspire awe and to pull your gaze upwards, to think about things transcendent, whether it was God or the Catholic version of Christianity or the transcendent power of human engineering and ingenuity.”
Cohen says his mother grew up in the Second World War in France and that she remembered seeing great monuments reduced to rubble. As a historian, Cohen acknowledges how much Notre Dame has been lovingly renovated over the centuries , even narrowly escaping destruction in 1994 when a German commander disobeyed an order from Hitler to destroy French monuments.
“It’s not something one thinks is possible but of course it is possible,” Cohen say.